Karl Berger is a six time winner of the Downbeat Critics Poll as a jazz soloist, recipient of numerous Composition Awards ( commissions by the National Endowment for the Arts, the New York State Council on the Arts, the Rockefeller Foundation, European Radio and Television: WDR, NDR, SWF, Radio France, Rai Italy. SWF-Prize 1994 ). Professor of Composition, Artist-in-Residence at universities, schools and festivals worldwide ; PhD in Music Esthetics.

Karl Berger became noted for his innovative arrangements for recordings by Jeff Buckley ("Grace"), Natalie Merchant ("Ophelia"), Better Than Ezra, The Cardigans, Jonatha Brooke, Buckethead, Bootsie Collins, The Swans, Sly + Robbie, Angelique Kidjo a.o.; and for his collaborations with producers Bill Laswell, Alan Douglas ("Operazone"), Peter Collins, Andy Wallace, Craig Street, Alain Mallet, Malcolm Burn, Bob Marlett a.m.o. in Woodstock, NY. New York City, Los Angeles, Tokyo, London, Paris, Rome.

He recorded and performed with Don Cherry, Lee Konitz, John McLaughlin, Gunther Schuller, the Mingus Epitaph Orchestra, Dave Brubeck, Ingrid Sertso, Dave Holland, Ed Blackwell, Ray Anderson, Carlos Ward, Pharoah Sanders, Blood Ulmer, Hozan Yamamoto and many others at festivals and concerts in the US, Canada, Europe, Africa, India, Phillippines, Japan, Mexico, Brazil.

His recordings and arrangements appear on the Atlantic, Axiom, Black Saint, Blue Note, Capitol, CBS, Columbia Double Moon, Douglas Music, Elektra , EMI, Enja, Island, JVC, Knitting Factory, In&Out, MCA, Milestone, Polygram, Pye , RCA, SONY, Stockholm, Vogue a.o.

Founder and director of the Creative Music Foundation, Inc. , dba The Creative Music Studio, a not-for-profit corporation, dedicated to the research of the power of music and sound and the elements common to all of the world's music forms; and to educational presentations through workshops, concerts , recordings, with a growing network of artists and CMS members worldwide.

Conducted CMS Residencies worldwide. In the 90s, Dr. Berger was Professor of Composition and Dean of Music Education at the Hochschule fuer Musik, Frankfurt / Germany. Chairman of the Music Department at UMass Dartmouth till 2006. Now re-establishing CMS programming, directing the CMS Archive Project, recording and producing. CMS is joining forces with Planet Arts, Inc.

Performing internationally with the Allstar Ensemble "In the Spirit of Don Cherry" and with numerous projects, collaborating with vocalist/poet Ingrid Sertso ( contact CreativeMusicAgency@gmail.com )

Special areas of interest: Improvisation; world musical communications in ensembles/orchestras of soloists through modular compositions/arrangements; Rhythmic Training ( the GaMaLaTaKi system ): timing/attention/expression; R+D of the elements governing the universal power of sound and music with emphasis on the healing power of sound and music. (see www.CreativeMusicStudio.org); MUSIC MIND: exploring the ways our mind works while playing or listening.

During the '70- and '80's, the Woodstock-based Creative Music Studio was considered the premier study center for contemporary creative music. Founded in 1971 by Karl Berger, Ingrid Sertso and Ornette Coleman, CMS brought together leading innovators in the jazz and world music communities. Unprecedented in its range and diversity, CMS was an acknowledged phenomenon in the international music world, providing participants with the rare opportunity to interact personally with the musical giants of improvisation and musical thought on a daily basis.

CMS is credited as the birthplace of Worldjazz - the improvisational and compositional expansion of the world's musical traditions. Now one of the main driving forces in many styles of music, this concept was pioneered very early at CMS, guided by authentic leaders. Hundreds of live concerts were recorded, many heralded as landmark performances. Thousands of workshops, master classes, concerts and colloquia inspired a generation of musicians who took with them the ideas, concepts and practices developed at CMS. The CMS community still exists in a remarkable network of creative musicians, many of whom came to CMS from Asia, Europe and South America.

CMS started a Fund Drive for its ARCHIVE PROJECT to preserve the large collection of its live recordings created from1972 until1986.This collection of recordings is unique in its artistic scope: the CMS program featured some of the most outstanding and ground-breaking composers/performers in World Jazz, World Music, New Music, guiding ensembles of highly motivated emerging artists.